Initially I planned on using FetteFraktur, the font scorned in The New Typography;
'Fraktur, like gothic and Schwabacher, has so little to do with us that it must be totally excluded as
a basic type for contemporary work.'
In my research, I came across Pixur:
'A little experiment that the "Fette Fraktur" 19th translated into the 21st century'
The appropriation as a Post Modernist practice alongside a juxtaposition of the old (Fraktur) and the new (Pixelation, therefore technology) was conceptually ideal for the project.
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Embracing the scorned centred layout and 'Trend' of hyphenation, as well as the screen only RGB Blue creates a strong conceptually initial page. |
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